Adobe Premiere Pro CC v.7.xx Manual de usuario Pagina 229
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Using the Waveform monitors and vectorscope
To the top
All Scopes
Vectorscope
YC Waveform
YCbCr Parade
View a scope
Vectorscope
YC Waveform
YCbCr Parade
RGB Parade
Premiere Pro has a vectorscope and waveform monitors (YC Waveform, YCbCr Parade, and RGB Parade) to help you output a video program
that meets broadcast standards and also assist you in making adjustments based on aesthetic considerations, such as color corrections.
For decades, video production and duplication facilities have used waveform monitors and vectorscopes to accurately evaluate video levels—
specifically, color and brightness.
A vectorscope measures the chrominance (color components) of a video signal, including hue and saturation. A vectorscope maps a video’s color
information onto a circular chart.
The traditional waveform monitor is useful in measuring the brightness, or luminance component, of a video signal. In Premiere Pro, the waveform
monitors can also display chrominance information. The waveform monitor works something like a graph. The horizontal axis of the graph
corresponds to the video image from left to right. Vertically, the waveform displays the luminance levels, and optionally, the chrominance levels.
Andrew Devis shows how to find and understand the Vectorscope in Premiere Pro in this video tutorial on the Creative Cow web site.
Andrew Devis shows how to find and understand the YC Waveform Monitor in Premiere Pro in this video tutorial on the Creative Cow web site.
Jeff Sengstack explains how to work with the YC Waveform Monitor and the Vectorscope in his article, “Streamlining Color Correction in Premiere
Pro” on the Pro Video Coalition web site.
Maxim Jago introduces the Waveform Monitor for color adjustments in Adobe Premiere Pro in this video on the video2brain web site.
View a scope
You can view a vectorscope, YC waveform, YCbCr Parade, and an RGB Parade scope either individually or grouped in the Reference Monitor,
Program Monitor, or Source Monitor.
1. Depending on whether you want to view a scope for a master clip or sequence clip, do one of the following:
Double-click the clip in the Project panel.
In a Timeline panel, position the playhead in the sequence you want.
2. (Optional) Choose Reference Monitor from the Window menu if you selected a clip in a Timeline panel.
3. Choose any of the following from either the Reference Monitor, Program Monitor, or Source Monitor menu:
Displays the Vectorscope, YC Waveform, YCbCr Parade, and RGB Parade scopes in one monitor.
Displays a vectorscope for viewing the chrominance in the video.
Displays a waveform monitor for viewing luminance and chrominance information.
Displays a scope with luminance (Y) and color difference (Cb and Cr) information.
232
- PREMIERE 1
- Contents 2
- What's New 5
- Editing Finesse enhancements 6
- Improved media management 8
- Performance enhancements 10
- Other changes 10
- Editing finesse enhancements 11
- Ripple Sequence Markers 12
- End Of Media Indicator 13
- Timecode effect enhancements 15
- New and changed preferences 19
- Other enhancements 19
- Relinking offline sequences 22
- Enhanced EDL Export dialog 23
- Match Frame enhancements 24
- New Tone Settings dialog 25
- Auto-save improvements 25
- New preferences 26
- Adobe Anywhere integration 28
- User Interface improvements 29
- Duplicate frame detection 30
- Join Through Edits 33
- Snapping Razor tool 33
- New Snap Playhead preference 34
- Naming nested sequences 34
- Trim-to-zero duration 34
- Enhanced Paste attributes 34
- Audio enhancements 35
- Audio waveform changes 36
- Control surface support 36
- Color-related enhancements 37
- Enhancements in AME 7.2 39
- Changes in AME 7.1 39
- GPU acceleration 40
- DNxHD presets 40
- Interpret footage 40
- FCP XML support 40
- Sync settings 41
- Effects settings 41
- Workspace and workflow 42
- Workspaces 43
- Choose a workspace 44
- Dock, group, or float panels 44
- Resize panel groups 46
- The 2-up editing workspace 48
- Managing Sync 50
- About Direct Link 52
- Working with offline media 55
- Multi-Camera editing workflow 65
- Titler (keyboard shortcuts) 81
- Alt+Shift+Left Opt+Shift+Left 83
- Remove shortcuts 84
- Printing keyboard shortcuts 85
- Cross-application workflows 86
- Setting up your system 94
- Specify scratch disks 100
- To the top 101
- Preferences 103
- Appearance preferences 104
- Audio Preferences 104
- Change the Auto Save settings 105
- Capture preferences 105
- Audio Hardware preferences 105
- Device Control preferences 106
- Label Colors preferences 106
- Label Defaults preferences 106
- Media preferences 106
- Memory preferences 106
- buttons move trim points 107
- Working with Panels 108
- Tools panel and Options panel 109
- Open the Options panel 110
- Adobe Dynamic Link 112
- Cross-platform workflow 116
- Basic workflow 117
- 7.Export 120
- Project setup 121
- Trim or copy your project 122
- Create a project 124
- Review project settings 125
- Project Settings dialog box 125
- Open a project 126
- Delete a project file 127
- Archiving projects 128
- Importing footage 129
- Supported file formats 130
- About file formats 132
- About transferring files 133
- About importing files 134
- About spanned clips 138
- Create an HDV or HD sequence 139
- Export to Panasonic P2 format 139
- Importing still images 140
- Importing Illustrator images 141
- Support for growing files 143
- Working with timecode 144
- Capturing timecode 147
- Enter timecode 147
- View timecode as a burn-in 147
- Adobe also recommends 148
- Final Cut Pro clip data 150
- Final Cut Pro composite modes 151
- Final Cut Pro Multiclips 152
- Importing digital audio 156
- Conforming audio 157
- Digitizing analog video 158
- Specify capture settings 163
- File size limits 164
- Set up device control 165
- so that the 166
- Disable device control 168
- Capture with device control 169
- Common capture issues 171
- Capturing HD video 173
- Capturing DV or HDV video 174
- Capturing content for DVD 175
- About logging clips 176
- Log clips for batch capturing 176
- Log clips interactively 177
- About batch capturing 178
- Batch capture clips 179
- Managing assets 182
- Customizing the Project panel 183
- Working in Icon view 184
- Customize List view columns 185
- Change the width of a column 186
- Sort by a column 186
- Add a column 186
- List view columns 186
- Working with bins 189
- Adding and deleting bins 190
- Label assets 191
- Rename assets 192
- Find assets matching criteria 193
- Find clips containing faces 194
- Remove assets from a project 195
- Viewing clip properties 196
- Viewing field order for clips 197
- Monitor Overlays 198
- Managing metadata 202
- Show or hide XMP metadata 205
- Working with markers 208
- Markers panel 209
- Add markers in the Timeline 209
- Add markers to clips 210
- Navigate among markers 212
- Display marker comments 213
- Working with aspect ratios 215
- Fix aspect ratio distortion 217
- Common pixel aspect ratios 218
- Monitoring assets 220
- Change magnification 223
- Dropped frame indicator 223
- View a scope 229
- Vectorscope 230
- YC Waveform 230
- YCbCr Parade 231
- RGB Parade 231
- Using the Reference Monitor 233
- Playing assets 235
- Continuous Playback 236
- Jog or shuttle playback 236
- Match a frame with its source 237
- Editing sequences and clips 239
- Relinking offline media 240
- Trimming clips 243
- View audio waveforms 244
- Timeline trimming 247
- Selecting edit points 248
- Performing a Timeline trim 250
- Trim with the selection tool 251
- Trim with the playhead 252
- Make slip and slide edits 254
- Make a slide edit 255
- Nudging clips 256
- Work in trim mode 257
- Asymmetrical trimming 260
- Work in the Trim Monitor 261
- Trim with Speech Analysis 263
- Synchronize Point 267
- Sequence preset 267
- for the audio-only clip 268
- Using Nest Source Sequence 271
- Closed Captioning 273
- Merged Clips limitations 280
- Work with preview files 284
- Move clips 288
- Move clips using the keypad 289
- Lift and paste frames 290
- Extract and paste frames 291
- Delete gaps between clips 291
- Working with offline clips 294
- Edit an offline clip 295
- Relink an offline clip 295
- Timeline panels 298
- Navigate in a sequence 299
- Work with tracks 301
- Delete tracks 302
- Rename a track 302
- Set track display 303
- Create a sequence 305
- Sequence presets and settings 306
- Selecting a sequence preset 309
- Change sequence settings 310
- Create a widescreen sequence 311
- Create a 24p sequence 314
- Set 24p playback options 314
- Display 24p source timecode 315
- Using multiple sequences 316
- Nest sequences 316
- Create black video 320
- Create a color matte 320
- Keying effects 321
- Creating subclips 323
- Adding clips to sequences 326
- Insert a clip into a sequence 329
- Make a three-point edit 330
- Make a four-point edit 331
- Set sequence start time 334
- Correcting mistakes 335
- Enable or disable a clip 340
- Group clips 341
- Snap clips 341
- Making split edits 351
- Editing audio 355
- Working with audio 356
- Audio tracks in a sequence 357
- Channels in audio clips 357
- Mixing audio tracks and clips 358
- Processing order for audio 358
- View audio data 358
- Audio Track Mixer overview 359
- Modify the Audio Track Mixer 361
- Audio Meters panel 362
- Audio channel icons 366
- Extract audio from clips 366
- Render and replace audio 367
- Use a mono clip as stereo 368
- Linking multiple audio clips 368
- Link audio clips 369
- Recording audio 375
- Recording audio mixes 378
- Panning and balancing 381
- Pan or balance a stereo track 382
- Working with Adobe Audition 387
- Advanced mixing 388
- Send a track to a submix 389
- Edit Send settings 389
- Work with sends 389
- Downmixing to fewer channels 390
- Routing track output 390
- Adjusting volume levels 392
- Adjusting gain and volume 393
- Normalize one or more clips 393
- Normalize the Master track 394
- Titling and the Titler 397
- Titler text styles 398
- Create a style 399
- Apply a style to an object 399
- Manage style libraries 400
- Scale objects 403
- Rolling and crawling titles 405
- Add a sheen 408
- Alignment Y Offset 409
- and apply 410
- from the object 411
- Drawing shapes in titles 412
- Draw curves with Pen Tool 413
- Delete an object anchor point 414
- Adjust an object anchor point 415
- Change the curve of a segment 415
- Enter text in titles 417
- Wrap text automatically 418
- Type text along a path 418
- Edit and select text 418
- Format text in titles 419
- Work with paragraph text 420
- Create tab stops in titles 421
- Delete a tab stop 422
- Creating and editing titles 423
- Open a title for editing 424
- Import a title file 424
- Add images to titles 428
- Effects and transitions 429
- it to the right 434
- it toward the bottom 435
- Clip handles and transitions 439
- Specify a default transition 442
- Copy and paste a transition 443
- Replace a transition 444
- Warp Stabilizer settings 447
- Adjust transition alignment 452
- Change transition settings 455
- Interlacing and field order 457
- Adjustment Layers 460
- About effects 462
- Effect plug-ins 463
- GPU-accelerated effects 463
- High-bit-depth effects 466
- Eliminate flicker 467
- Effect presets 468
- Apply an effect preset 469
- Duration and speed 472
- Freeze a frame 478
- Creating common results 481
- Create a Jacob’s Ladder 482
- Make reverb ring out 482
- Adjusting color and luminance 483
- Quickly remove a color cast 486
- Replace a color 496
- Remove color in a clip 496
- Mix color channels in a clip 497
- Add Lighting Effects 498
- Crossfade between audio clips 502
- Audio effects and transitions 504
- DeClicker effect 505
- DeCrackler effect 505
- DeEsser effect 506
- DeHummer effect 506
- Delay effect 506
- DeNoiser effect 506
- AutoGate 507
- EQ effect 508
- Flanger effect 508
- Highpass and Lowpass effects 509
- Invert (audio) effect 509
- MultibandCompressor effect 509
- Multitap Delay effect 510
- Notch effect 510
- Parametric EQ effect 510
- Phaser effect 510
- PitchShifter effect 511
- Reverb effect 511
- Audio crossfade transitions 512
- Find and group effects 514
- Apply effects to clips 515
- Copy and paste clip effects 515
- Applying effects to audio 518
- Copy and paste track effects 520
- Working with VST effects 521
- Animation and keyframes 523
- Optimize keyframe automation 524
- Moving and copying keyframes 525
- About interpolation 528
- Create Bezier keyframes 530
- Adjust Bezier handles 530
- Animating effects 532
- View keyframes and graphs 534
- Add keyframes 537
- Select keyframes 538
- Modify keyframe values 539
- Compositing 542
- Alpha channels and mattes 543
- About keying 544
- Compositing tips 545
- Blending modes 546
- Blending mode descriptions 547
- Exporting 549
- Types of exporting 550
- Adobe Media Encoder 551
- Encoding and exporting 552
- Smart rendering 555
- Working with Adobe SpeedGrade 556
- Send an EDL to SpeedGrade 557
- Working with Adobe Prelude 558
- Export a still image 559
- Exporting to videotape 567
- About the AAF plug-in 571
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