Adobe 5.5 Design Standard Manual de usuario descargar pdf (Pagina 14)

T

Adobe Creative Suite 5 Printing Guide 12

decide how you should stack page objects to avoid aening text and

vector segments.

Flaener Preview

Red highlight indicates vector areas that will be aected by transparency.

For more information about transparency, see “Transparency in Adobe

Applications: a Print Production Guide” (http://www.adobe.com/go/

learn_transparency_print_en ) and “Designer’s Guide to Transparency

for Print Output” (http://www.adobe.com/go/learn_transparency_

designer_en). While these resources were created for users of Creative

Suite 3, they still contain useful information.

Color Management in Creative Suite 5 Components

The goals of color management are to reduce the amount of proofing

needed to accurately assess color, and to ensure predictable output and

print. When used properly, color management speeds the process and

reduces the costs associated with achieving the color your customer

expects.

Keep in mind that, even if you choose to turn off color management in

Adobe applications (note that you cannot turn off color management in

Acrobat X Pro), color management is still being performed by your

operating system to govern monitor display and printing. It’s best to

leave color management on in Adobe applications, and to ensure that

the same settings are used across all the applications for consistency.

Use Adobe Bridge to easily synchronize color settings for Illustrator,

Photoshop, InDesign and Acrobat simultaneously.

Illustrator, Photoshop, InDesign and Acrobat use the same underlying

code to render colorwhether displaying an image on a monitor,

printing to a desktop printer, or sending data to a RIP. If color

management is carefully implemented and maintained, you should be

able to better communicate color expectations with your customers.

In addition to providing an environment for consistent color viewing

and rendering, color-managed workflows allowand encouragethe

use of RGB images. With a larger color gamut than CMYK, RGB offers

the potential for more flexibility in a print workflow, especially if the

content might be repurposed for the web, video, or mobile phones.

Some color corrections are much more easily performed in the RGB

color mode, and many digital devices (such as inkjet printers and toner-

based digital presses) are capable of rendering a wider gamut than is

possible with offset inks. Consequently, in such an environment, it is

beneficial to maintain maximum color possibilities by not converting to

CMYK prematurely. Using RGB also makes it easier for you to move the

project from one press to another while keeping the color looking

consistent among your own equipment, deferring the conversion to

CMYK until the latest point possible.

Managing color needs for a customer is a comprehensive job. Start by

encouraging customers to at least calibrate their monitors using Adobe

Gamma (Windows) or the Color System Preference under Displays

(Mac OS). This provides them with a very basic system profile to be

used in color management. For more reliable profiling, encourage them

to obtain a monitor profiling device and use it at recommended

intervals to maintain reliable on screen display. Don’t share customized

monitor profiles; each monitor needs a profile specifically generated for

that particular monitor

In many cases, choosing North America Prepress 2 as your color setting

will be a sufficient start, but you can customize settings as you develop

more specific RGB-to-CMYK conversions. For example, North America

Prepress 2 uses a CMYK conversion that is based on Specification for

Web Offset Publications (SWOP), and although it does work for

1 2 ... 9 10 11 12 13 14 15 16 17 18 19 ... 139 140

Adobe 5.5 Design Standard Manual de usuario Pagina 14

Comentarios a estos manuales

Adobe 5.5 Design Standard Manual de usuario Pagina 14

Comentarios a estos manuales

Relacionado con productos y manuales para Software de autoedición Adobe 5.5 Design Standard