Adobe 5.5 Design Standard Manual de usuario descargar pdf (Pagina 23)

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Adobe Creative Suite 5 Printing Guide 21

If you cannot locate any page elements using the unwanted spot color,

but are still concerned that an unwanted plate may be output as a result

of artwork you’ve overlooked, try this: Print the file as separated output

to a laser printer, selecting only the problem plate for output. If no

objects or artwork are using the problem swatch, when you start to

print, an alert will appear that the selected pages do not use the ink.

If you determine that the swatch is truly not used in the document, you

should feel confident that no unnecessary plates will be generated by

the file. However, you may want to delete the swatch to avoid confusing

anyone who handles the file later in the prepress process. If you still

can’t delete the swatch, try exporting the file to InDesign Interchange to

clean it up. Choose File > Export, and choose InDesign Markup

Language as the format. A file with the extension .idml is created. Close

the problem file, and open the IDML file. You should now be able to

delete the problem swatch, and save the file under a new name.

Editing swatches

It’s better to manage, examine, and edit colors when they are saved as

swatches. To find colors used in the document that are not designated

as named swatches, choose Add Unnamed Colors from the Swatches

panel menu. InDesign then finds all colors and adds them to the

Swatches panel list. It’s now much easier to check for spot colors or

process colors specified as RGB or Lab colors that may not output as

expected, because they will be converted to CMYK during most print or

output operations.

To edit a swatch, double-click the swatch name in the Swatches panel;

the Swatch Options dialog appears. Use the Color Type pop-up menu to

choose between Spot and Process. Choose from the Color Mode pop-

up menu to assign a color modeyou can choose from Lab, CMYK,

and RGB, or select from the long list of color swatchbooks, such as

Pantone Coated, TRUMATCH, Toyo, and more. Note that just setting the

Color Mode to CMYK (without changing the Color Type) is not sufficient

to designate a swatch as a process color. You must also change the

Color Type to Process to designate the swatch as process.

Changing the Color Denition of a Swatch

Double-click the swatch name in the Swatches panel; you can then change the name, color

type, and recipe in the Swatch Options dialog box. Here, an RGB swatch (le) is converted to

CMYK for more predictable output (right).

Using the Ink Manager

You may receive a job that uses multiple spot inks, which are actually

intended to print as a single color. For example, the InDesign file may

include artwork and page objects that use Pantone 130 C, Pantone

130 U, and PMS 130. Clearly, these names are intended to represent a

single ink, and the multiple ink definitions must be resolved before

printing. Most RIP software allows the remapping of spot colors, to

resolve extra inks to the correct plates. But you can also use the

InDesign Ink Manager to rectify the superfluous colors and accomplish

the same goalcorrect output. The Ink Manager is available via the

Swatches panel menu, the Separations Preview panel menu, in the Print

dialog box, and in Export dialog boxes for EPS and PDF.

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