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Adobe Creative Suite 5 Printing Guide 37
•You can’t preview the overprinting eects of built-in trapping or
Adobe In-RIP Trapping. Separations Preview displays only the eects
of overprints applied manually through the Aributes panel.
You can use the Ink Limit feature in the Separations Preview panel to
see if any areas of the document exceed a specified limitfor example,
320% for sheetfed printing. The total ink limit depends on the press
being used to run the job, the type of stock, and other factors. If only a
few small areas are highlighted in this preview, it should be no cause for
alarm. But if large areas exceed the desired total ink limit, you may have
to edit graphics and other content to ensure that their total ink value
falls within the limit to prevent printing problems.
In the Separations Preview panel, choose Ink Limit from the View
pop-up menu, and enter an ink limit value. Areas in gray are within the
total ink limit. Areas shown in red are over your ink limit; more intense
reds indicate greater degrees of ink-limit excess. The percentages along
the right side of the panel indicate the ink amounts at the location of
the pointer.
To view the ink percentage at any point on the layout:
1. Position the mouse where you want to evaluate the ink percent-
ages.
2. Refer to the percentages along the right side of the Separations
Preview panel. Ink values for each plate are displayed, along with
the total for CMYK plates.
Note: When viewing separations, the total CMYK ink value is displayed, but not the
total combined ink value for overlapping process and spot colors. Position the cursor
over areas of overlapping process and spot colors, and add the CMYK total value to the
values displayed for spot colors. To highlight areas exceeding a total ink coverage limit,
choose Ink Limit from the Separations Preview panel pull-down menu. Set the Ink Limit
value for your press condition; areas exceeding the limit are highlighted in red.
Overprint Preview
Overprint Preview is a View mode (View > Overprint Preview) that
simulates how objects set to overprint will appear in color-separated
output (or composite output when the Simulate Overprint option is
enabled). When Overprint Preview is on, you can see underlying objects
through overprinted objects as they would appear on press. Because
Overprint Preview models ink behavior, overprinted objects that use
lighter or screened inks reveal more underlying inks during overprint
preview because they actually are less opaque when printed.
Overprint Preview also gives a more realistic view of spot colors
involved with certain blending modes. In the normal, composite view,
interactions between spot color objects may be misleading, so make it
a habit to check files by turning on Overprint Preview. Because turning
on Overprint Preview also turns on High Quality Display, you may
experience a slight slowing of performance in InDesign as a result.
Consequently, you may wish to turn on Overprint Preview to check
content, and then turn it off once you have finished.
Using Overprint Preview
e text and oval both have a ll of solid PMS 399, and the text is set to Multiply. e
composite view (le) is misleading: aer all, you can’t have 200% of a single ink. Turn on
Overprint Preview, however (right) and you’ll see how this eect will actually print.
Flattener Preview
To display the Flattener Preview panel choose Window > Output >
Flattener Preview. To evaluate the effects of flattening, select an option
from the Highlight pop-up menu in the Flattener Preview panel:
•Rasterized Complex Regions: Highlights areas that are rasterized
based on the seings in the transparency aener preset. When the
Raster/Vector Balance slider is set to 100, no areas are highlighted
because rasterization only occurs within the outlines of each text or
line-art object that’s aected.
- Creative Suite 5/5.5 1
- Printing Guide 1
- Introduction 3
- H T G I S 4
- Chapter 1: Common Resources 5
- PDF C 6
- PDF S: A 6
- Default PDF settings 7
- Smallest File Size 8
- High Quality Print 8
- Press Quality 8
- PDF/X-1a:2001 10
- PDF/X-3:2002 10
- Managing Custom PDF presets 11
- T 12
- Flaener Preview 14
- Color Swatches 16
- OpenType Font Format 16
- Multiple Page Sizes 17
- Content Grabber 18
- Layers Panel 18
- Span and Split Columns 19
- Track Changes 19
- InDesign CS5.5 20
- Notable Existing Features 20
- Cleaning up the Pasteboard 22
- Unused layers 22
- Managing swatches 22
- Editing swatches 23
- Using the Ink Manager 23
- Conversion Tip: 24
- Cross-platform issues 25
- Managing missing fonts 25
- Links Panel 26
- Links Panel Options 27
- Missing and Modied Graphics 27
- Embedded artwork 28
- Copied and pasted artwork 29
- Object Layer Options 30
- InDesign Files as artwork 31
- T F 32
- Paragraph-based Numbering 33
- R S V 34
- Preflighting the document 35
- Preflight Profile Options 36
- General 36
- Images and Objects 36
- Document 37
- Separations Preview 38
- Overprint Preview 39
- Flattener Preview 39
- Photoshop blending mode issue 41
- C M I 42
- W W B F 43
- W W B F 44
- P ID 46
- Document Preview Pane 47
- Control buttons 48
- The Print Dialog box: Panels 48
- General Options 49
- Setup Options 49
- Marks and Bleed Options 49
- Printing booklets 51
- The Setup options 52
- Print Booklet Preview 53
- Packaging a Job 54
- Fonts Screen 55
- Links and Images Screen 55
- e Printing Instructions Form 56
- G G 58
- Image Resolution 59
- Resampling images 60
- Color mode 61
- Special case: Screen captures 62
- Grayscale 63
- A F 64
- A F 65
- Vector Text in Photoshop 66
- Shape Layers 66
- Clipping paths 67
- 3D content 67
- 3D Content 68
- Smart filters 69
- Encapsulated PostScript (EPS) 70
- Photoshop PDF 71
- P P 72
- General options 73
- Output options 73
- Color management 74
- Print section 74
- Options section 74
- P P 75
- Width Tool 77
- Arrowhead Controls 77
- New Drawing Modes 77
- H E F 78
- Seing Bleed Value 79
- Using the New Artboards Panel 80
- I 81
- Opening Legacy Files 82
- Legacy Text Editing Tip 82
- Updating Legacy Text 82
- S F P V 83
- D C M 84
- L E 85
- 3D Eects 86
- Spot Colors and SVG Filters 86
- Spot-color 3D Objects 86
- Expanding 3D objects 87
- Using the Appearance Panel 88
- Using the Attributes Panel 89
- Handling complex files 90
- E C F 91
- F T 92
- P F I 94
- Print options 95
- Printing Multiple Artboards 96
- Printing Bleed 96
- C PDF F 97
- Opening a PDF in Illustrator 98
- A X P 99
- N I F 99
- Read Mode Toolbar 100
- E PDF 101
- Document Properties 102
- Document Properties/Fonts 102
- C D 103
- Compare Documents 104
- Compare Documents: Results 104
- A D 105
- O P 105
- Previewing Separations 106
- Show Options 107
- Viewing Color Warnings 107
- Object Inspector 108
- P 109
- Default Preflight Profiles 110
- Using Preflight Profiles 110
- Saving Preflight Results 111
- Embedding an Audit Trail 112
- PDF Fixups 112
- Single Checks and Fixups 112
- Layer Fixups 113
- Sharing Profiles 114
- T P 115
- C C 115
- U I M 116
- Mappings 117
- S P B 118
- Set Page Boxes 119
- A P M 120
- F H 120
- Fix Hairlines 121
- Previewing Flattening 122
- Flaener Preview 123
- Applying Flattener Settings 124
- Reducing File Size 124
- Using PDF Optimizer 124
- About JDF files 126
- Creating JDF files 126
- Contacts Manager 127
- Media Manager 127
- Submission Manager 127
- Configuring JDF files 128
- Adding a Section 128
- Submitting the Job 128
- E PDF F 129
- Edit Object Tool 130
- About Comments 131
- Shared review 132
- E-mail-based review 132
- Collaborate Live 133
- P PDF F 134
- Print Dialog 135
- Advanced Print Setup 135
- Setting Up a PPD file 136
- Setting PostScript Options 137
- Creating a PostScript File 138
- Working with Asian fonts 138
- Adobe Systems Incorporated 140
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