
P P
Adobe Creative Suite 5 Printing Guide 72
•Corner Crop Marks: Prints crop marks at the corners of the image
bounds.
•Center Crop Marks: Prints crosshairs at the vertical and horizontal
centers of the image.
•Description: Prints any description text entered in the File Info dialog
box, up to about 300 characters.
•Labels: Prints the le name above the image. If you are printing sepa-
rations, the ink name for each separation is also included.
•Emulsion Down: Reverses the orientation of the image and is useful
for lm output or special eects.
•Negative: Inverts the entire output, including all masks and any back-
ground color. is option is useful if you are imaging directly to lm or
other photosensitive media. Note that this is not a color-managed con-
version. If this is a common workow for you, create a custom color
prole that takes this conversion into consideration.
•Background: Lets you select a background color that will be printed
on the page outside the image area. Click the Background buon, and
then select a color from the color picker. (is option aects only
output, and leaves the image unchanged.)
•Border: Prints a black border of the specied width at the edge of the
image.
•Bleed: Prints crop marks inside rather than outside the image. Use this
option to trim the image within the graphic rather than at the edge.
•Interpolation: All PostScript printers automatically resample the input
stream to match actual device resolution, and most PostScript printers
apply algorithms to optimize upsampling of any low resolution image
content. is option ensures that a PostScript Language Level 3 ap-
plies the best interpolation algorithm available for the image.
•Include Vector Data: Retains vector edges for text and other vector
content when printing to a PostScript device.
•Send 16-bit Data: Send maximum image information for high quality
output if you are using Macintosh System 10.5 and later and your
printer supports 16-bit images.
Color management
When you choose the Color Management option from the pop-up
menu on the right side of the Print dialog box, you’re presented with
options for color management during output.
Print section
In the Print section, choose between the Document and Proof radio
buttons. Choose Document to print the image according to the current
color settings, taking into consideration the behavior of the target
printer. Choose Proof to modify the output to match the proofing
environment you specify. Use the Proof option if you wish the output to
emulate the appearance of another device, such as using your desktop
printer to mimic the final appearance on press.
Photoshop CS5 and Photoshop CS5 Extended include support for
printing of large (>30,000 pixels) images, and support for scripting of the
print process (as well as the ability to record the process, including print
settings, and save as Actions).
Options section
The Options section governs color handling. The available choices
depend on what you select from the Color Handling pop-up menu:
•Printer Manages Colors: Photoshop sends the image data “as is,” and
the target device uses its built-in default color rendering. You can
choose an option from the Rendering Intent pop-up menu, but most
non-PostScript printers use Perceptual intent and ignore any other
choice you might make here. If eshtones have a greenish cast when
printed, this may be a sign that color management in the printer is
turned o. Note that, on Windows, using Printer Manages Colors will
compress the gamut of images to sRGB color space when printing,
Comentarios a estos manuales