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Adobe Creative Suite 5 Printing Guide 28
Layer overrides to placed files
The Layer Overrides (Object > Object Layer Options) in InDesign allow
a designer to control the display of layers in Photoshop, Illustrator, or
PDF files from within InDesign CS5/5.5. A designer can even apply
different layer visibility overrides to different instances of the same
source file. Wise use of this technique can reduce the number of images
that need to be tracked, transported, and managed, while also giving
designers new flexibility and simplified file management. Applying layer
overrides does not alter the original layered file; it only affects how the
file displays in InDesign; files with layer overrides output as they appear
on screen. Graphics governed by Object Layer are indicated in the Links
panel with a “Yes” in the Layer Overrides column, followed by a number
indicating how many layers are affected.
Object Layer Options
Layered graphics whose appearance is aected by Object Layer Options are indicated by a
“Yes” in the Layer Overrides column. A number in parentheses indicates how many layers
are aected.
When performing any edits in Photoshop to a file using Layer
Overrides, be mindful that your actions may affect multiple instances of
the image. Don’t delete any layers during editsthey may be needed in
some instances of the image. Don’t flatten the original source files for
images affected by layer overrides. If your shop has historically advised
flattening Photoshop layered files placed in InDesign, be sure to advise
customers and staff not to flatten when layer overrides are used.
Maintain the layer names, stacking order, and layer comp definitions in
each layered source file unless you need to alter the file. When these
layering attributes are altered in the original file after layer overrides are
applied in InDesign, the link becomes invalid in InDesign and the
appearance of the file may change when the link is updated. This does
not create an output issue if the resulting changes in appearance are
intentional. The Layer Options dialog box offers the choice of honoring
InDesign’s overrides when updating a graphic or “starting over” with the
saved file’s layer visibility settings. Even if you choose to honor
InDesign’s overrides when updating, any new layers you’ve added will
automatically be visible.
Raster-based Photoshop DCS and EPS files
Desktop Color Separation (DCS) files may still be used by some
customers who need to include spot color plates in their color images.
Because DCS files are pre-separated, it can be a challenge to integrate
them into some prepress workflows. InDesign CS5/5.5 automatically
merges DCS 2.0 files created from Adobe Photoshop during printing or
export, so it’s easier to reuse legacy files. These enhancements are
made possible because InDesign reads Photoshop DCS and EPS files as
images. Reading these file types as images yields another benefit:
Photoshop EPS files can be color-managed if an ICC profile was
embedded. However, it is recommended that you replace such legacy
files with Photoshop native PSDs or PDFs, which provide full support for
spot-color content without resorting to the old DCS format.
For an EPS or DCS file to benefit from these features in InDesign, the file
must meet the following requirements:
•e le must be created by Photoshop.
•e le must be an 8-bit le. e CMYK, RGB, and gray color models
are supported. It can include spot colors, and it can be a multitone le
(such as a duotone).
•A DCS le must not be saved with the Include Vector Data option
selected. (Clipping paths are supported without this option selected.)
•DCS les must conform to the DCS 1.0 or 2.0 specication.
- Creative Suite 5/5.5 1
- Printing Guide 1
- Introduction 3
- H T G I S 4
- Chapter 1: Common Resources 5
- PDF C 6
- PDF S: A 6
- Default PDF settings 7
- Smallest File Size 8
- High Quality Print 8
- Press Quality 8
- PDF/X-1a:2001 10
- PDF/X-3:2002 10
- Managing Custom PDF presets 11
- T 12
- Flaener Preview 14
- Color Swatches 16
- OpenType Font Format 16
- Multiple Page Sizes 17
- Content Grabber 18
- Layers Panel 18
- Span and Split Columns 19
- Track Changes 19
- InDesign CS5.5 20
- Notable Existing Features 20
- Cleaning up the Pasteboard 22
- Unused layers 22
- Managing swatches 22
- Editing swatches 23
- Using the Ink Manager 23
- Conversion Tip: 24
- Cross-platform issues 25
- Managing missing fonts 25
- Links Panel 26
- Links Panel Options 27
- Missing and Modied Graphics 27
- Embedded artwork 28
- Copied and pasted artwork 29
- Object Layer Options 30
- InDesign Files as artwork 31
- T F 32
- Paragraph-based Numbering 33
- R S V 34
- Preflighting the document 35
- Preflight Profile Options 36
- General 36
- Images and Objects 36
- Document 37
- Separations Preview 38
- Overprint Preview 39
- Flattener Preview 39
- Photoshop blending mode issue 41
- C M I 42
- W W B F 43
- W W B F 44
- P ID 46
- Document Preview Pane 47
- Control buttons 48
- The Print Dialog box: Panels 48
- General Options 49
- Setup Options 49
- Marks and Bleed Options 49
- Printing booklets 51
- The Setup options 52
- Print Booklet Preview 53
- Packaging a Job 54
- Fonts Screen 55
- Links and Images Screen 55
- e Printing Instructions Form 56
- G G 58
- Image Resolution 59
- Resampling images 60
- Color mode 61
- Special case: Screen captures 62
- Grayscale 63
- A F 64
- A F 65
- Vector Text in Photoshop 66
- Shape Layers 66
- Clipping paths 67
- 3D content 67
- 3D Content 68
- Smart filters 69
- Encapsulated PostScript (EPS) 70
- Photoshop PDF 71
- P P 72
- General options 73
- Output options 73
- Color management 74
- Print section 74
- Options section 74
- P P 75
- Width Tool 77
- Arrowhead Controls 77
- New Drawing Modes 77
- H E F 78
- Seing Bleed Value 79
- Using the New Artboards Panel 80
- I 81
- Opening Legacy Files 82
- Legacy Text Editing Tip 82
- Updating Legacy Text 82
- S F P V 83
- D C M 84
- L E 85
- 3D Eects 86
- Spot Colors and SVG Filters 86
- Spot-color 3D Objects 86
- Expanding 3D objects 87
- Using the Appearance Panel 88
- Using the Attributes Panel 89
- Handling complex files 90
- E C F 91
- F T 92
- P F I 94
- Print options 95
- Printing Multiple Artboards 96
- Printing Bleed 96
- C PDF F 97
- Opening a PDF in Illustrator 98
- A X P 99
- N I F 99
- Read Mode Toolbar 100
- E PDF 101
- Document Properties 102
- Document Properties/Fonts 102
- C D 103
- Compare Documents 104
- Compare Documents: Results 104
- A D 105
- O P 105
- Previewing Separations 106
- Show Options 107
- Viewing Color Warnings 107
- Object Inspector 108
- P 109
- Default Preflight Profiles 110
- Using Preflight Profiles 110
- Saving Preflight Results 111
- Embedding an Audit Trail 112
- PDF Fixups 112
- Single Checks and Fixups 112
- Layer Fixups 113
- Sharing Profiles 114
- T P 115
- C C 115
- U I M 116
- Mappings 117
- S P B 118
- Set Page Boxes 119
- A P M 120
- F H 120
- Fix Hairlines 121
- Previewing Flattening 122
- Flaener Preview 123
- Applying Flattener Settings 124
- Reducing File Size 124
- Using PDF Optimizer 124
- About JDF files 126
- Creating JDF files 126
- Contacts Manager 127
- Media Manager 127
- Submission Manager 127
- Configuring JDF files 128
- Adding a Section 128
- Submitting the Job 128
- E PDF F 129
- Edit Object Tool 130
- About Comments 131
- Shared review 132
- E-mail-based review 132
- Collaborate Live 133
- P PDF F 134
- Print Dialog 135
- Advanced Print Setup 135
- Setting Up a PPD file 136
- Setting PostScript Options 137
- Creating a PostScript File 138
- Working with Asian fonts 138
- Adobe Systems Incorporated 140
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